Santos Hernández style flamenco guitar. (Building on commission - Left handed) Top Alpine Spruce 1a Side and back Cypress Neck Honduran Cedar Fingerboard Ebony Bridge Madagascar Rosewood Machine Head Goto Scale 650 mm French polish

Guitar #21 (in construction) Asymmetric fan bracing in the style of Hernández y Aguado Top Alpine Spruce Back and sides Honduran Rosewood Neck Honduran Cedar Bridge Madagascar Rosewood Fingerboard Ebony Plate head Ebony Scale 650 mm Machine Head Rubner de Luxe French polish

Open 7 fan struts system (based on Santos Hernández)

Guitar #16 (sold) Bracing system after Hernández y Aguado Plantilla A. de Torres SE 114 Top Torrify Spruce Back and Sides Acacia Melanoxylon (Black Wood) Neck Honduran Cedar Fingerboard Ebony Bridge Indian Rosewood Head plates Amazon's Rosewood Machine Head Aparicio Scale 650 mm Nut 52 mm XII 62 mm Height on heel 94 mm Height on end block 99.5 mm Finish French Polish Audio Sample of Guitar #16 Follow me on Instagram

This guitar is based on Antonio de Torres "La Suprema". Guitar #14 Top Bearclaw Engelmann Spruce Back and Sides Cypress Neck Honduran Cedar Head plate Brazilian Rosewood Fingerboard Ebony Bridge Indian Rosewood Tuning machine Aparicio modelo Toledo Scale 650 mm Nut 51.5 mm string space 8,5 mm Height on fret XII 3 and 2.5 mm Weight 1400 grams

This guitar has a fan system based on José Romanillos. Student model. Top Spruce Engelmann Back and Ribs Fijian Mahogany (is actually Honduran Mahogany. See ) Neck Honduran Cedar Fingerboard Ebony Bridge Indian Rosewood Scale 650 mm Nut 51,5 mm String separation on nut 8.5 mm (42.5 mm) Hight on fret xii 3.2 and 2.5 mm

Guitar #12 Flamenco/Classic ( sold ) Bracing style: Hernández Y Aguado (asymmetric bracing) Top Alpine Spruce Back & Ribs Curly Maple Neck Honduran Cedar Head plate Bird Eye Maple Fingerboard Ebony Bridge Indian Rosewood Weight 1350 grams Nut 52 mm Scale 650 mm Height at xii (6) 3 mm and (1) 2.5 mm Saddle height 7 mm Body depth at end block 103 mm Body depth at heel 98 mm Finish French polish (tone color: ruby) Recorded with a phone Guitar came back for a repair so I took t

This guitar has been commissioned from Uruguay for a left handed guitar student. Guitar #11 Concierto (sold) Bracing Hermann Hauser Top Alpine Spruce Sides and Back Bird eye Maple Neck Honduran Cedar Fingerboard Ebony Bridge Indian Rosewood Nut 53.5 mm Body depth at end block 92.6 mm Body depth at heel 86.2 mm Body length 480 mm And finally in the right hands! In this video I have the string set up for right hand player.

Guitar #9 (sold) Based on Robert Bouchet Top Alpine Spruce Rib and Back Indian Rosewood Neck Mahogany Bridge Brazilian Rosewood Fingerboard Ebony Nut 52. 5 mm 12th fret 62.5 mm Scale 650 with 20th fret on string 1 (Sold)

Guitar #8 Estudiante Model: Robert Bouchet Handmade rosette Mondriaan motive Top German Spruce Back and Ribs Indian Rosewood Neck Honduras Cedar Fingerboard Ebony Headplate Mahogany Bridge Brazilian Rosewood Scale 650 mm Body depth at heel 87.7 mm Body depth at end block 93.5 mm Nut 52 mm String spacing at nut 8.7 mm Weight 1450 gr. This guitar demands a relationship between the resonances of the woods and the player. It is up to the player to find or create the sound. Is

Guitar #6 (sold) This guitar has been commissioned by my friend Pablo Fagundez (singer and songwriter) and goes all the way to Uruguay. It is a Torres model. Top spruce (Engelmaan) Back and ribs Indian rosewood Neck hondurean cedar Head plate and bridge Brazilian Rosewood Fingerboard ebony Preamp Godin QIT System Creating a guitar for my friend Pablo Fagúndez has been an incredibly rewarding and joyful experience. The process of crafting something with my hands and pouring my

This guitar was commissioned by a father for his son. Guitar #5 (sold) The fan system is from Santos Hernández, 7 fans without end strut. Top: spruce Back and ribs: maple Neck: hondurean cedar Head plate: sycamore Fingerboard: ebony Bridge: Brazilian Rosewood Weight 1,6 kg With the owner of No5 Gluing the bridge Applying shellack (French Polishing) Gluing de fan-strut to the soundboard with long reach cramps Rosette of my own design Santos Hernández head shape Gluing the back

Guitar #4 (sold) This guitar has an inspired Daniel Friederich fan system but the rest of the dimensions are taken from Antonio de Torres Top: Spruce Back and ribs: Indian Rosewood Neck: Honduran Cedar Fingerboard and bridge: Ebony No. 4 with the owner!

Guitar #2 ( sold ) Plantilla Antonio de Torres Top: Spruce Back and ribs: African Mahogany Neck: Honduran Cedar Head plate, fingerboard and bridge: Ebony Gnossienne No.1 (Erik Satie) My very good friend jazz guitarist Sergio Sinning improvising

Guitar #1 Antonio de Torres plantilla Top Engelmann Spruce Sides and Back Sycamore Neck Honduran Cedar Fingerboard and Bridge Indian Rosewood Scale 650 mm Finish French polish Building my first classical guitar was an incredible journey filled with challenges, learning, and immense satisfaction. As a passionate guitar player, I always dreamed of crafting my very own classical guitar. The idea of creating music from an instrument I had meticulously built with my hands was bot